An extremely successful sequel – / Film
In 2019 Johanna hogg deployed Memory, a film that / Film’s chief film critic called “breathtaking” while admitting that its languid pace and convoluted structure forced it to “stick with it” and that many came out during the screening. I did, and I always found this semi-autobiographical story of a young film student who falls in love with a dashing Foreign Ministry employee, only to find he hides dark secrets, completely indulgent. and ridiculous. Honor to Swinton Byrne seemed to walk half awake through a myriad of scenes, and despite her mother’s appearance Tilda swinton and the rest of the cast hired, it ended up being a miserable movie experience.
So color me happy that not only Remembrance, Part II extremely successful film, it literally erases the need for the first part to exist. A colleague described the initial chapter as akin to the first draft of a script (stories float around that the two halves were originally part of a single script), one that had to be written, ideally , then set aside. Rather than making the acute editorial decision to avoid unnecessary build-up, Hogg felt the need and had the means to make the preliminary film in its entirety before committing to the events of Part II.
For the audience that has skipped (or even never heard of) the first chapter, they can comfortably pretend it never existed, because throughout this chapter we hear reflections on what happened, and even see the narrative avatar of Hogg Julie struggle both personally and artistically with the loss of her former lover. We quickly guess the ambivalent charms of the character of Julie, often paralyzed by her decisions, indecisive in her artistic goals, even mute when those around her are struggling to try to come to terms with her vacillating visions.
Hogg’s level of self-awareness and his much bolder ability to critique the vagaries of his job (and the flaws of the previous chapter) is downright refreshing. I made a poor, albeit slightly facetious comparison with evil Dead vs Evil Dead II, when the filmmakers realized with the latter that a bit of humor in a narrative avoided many of the stumbles of the previous work, and there are many more darker comedic moments that elevate The Remembrance Part II.
Richard AyoadeThe turn of Patrick, a high-profile director of a mega-production who talks about his own film, is exactly the kind of eccentric, engaging, but decidedly not overused supporting character that the first film sorely needed. Even Julie’s parents (the mother played, of course, again by Swinton) pits pastoral life with dogs running across fields of fog against the artificial revelry that takes place on sound stages.
There’s a welcome narrative precision too, and even when the film veers into leniency with film-in-a-film, its over-the-top nature is itself a critique of the kind of nonsense young filmmakers often need to know. ‘get. out of their systems. It’s clear that Julie’s project was not only (rightly) challenged by her teachers, but the end result is an afterthought, superficially silly. Yet the other level of meta-movie, the one we see being built with apartments and backdrop decoration, is much more intriguing, leading us much more gracefully through memories of Hogg’s youth, and making him a much more inviting way than she had done. before.
By recalling Julie’s centrality in the story, the result is much more effective as we feel the whole landscape revolve around her talents, her grief, her pride and her growing confidence as an artist hearing how others navigate with her. the protagonist. If the first movie was a movie where she spoke a lot and we had to watch her repeatedly make the normal silly decisions of her youth, this is a much more engaged and mature character who lived a bit, now learning. to really listen. It’s a perfect embodiment of an artist’s growth and how, through cinematic directing techniques and narrative conciseness, Hogg is able to tell a much richer character story with all the events of Part i cooked in it.
Fans of the first will be treated to more of what they love, and even the most jaded critic of the first chapter will find a lot to admire. Remembrance Part II is an easy recommendation across the board, a film that stands comfortably on its own and allows Hogg’s journey to become cinematic, and Honor Swinton Byrne’s abilities as a performer, to finally shine in a light that will appeal to almost everyone. movie lovers.
/ Movie rating: 7 out of 10
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